With the FCC last week announcing the canada viagra results of the reverse auction portion of the incentive auction and discount site viagra setting the timetable for the repacking of the TV spectrum , the next question on everyone’s mind will be how successful the television industry will be in adhering to the schedule established by the FCC for clearing the TV spectrum above Channel 37. The FCC yesterday released a Public Notice showing how it will be doing its part to monitor and assist in that repacking. The FCC announced that it is appointing 10 Commission employees to serve as “Regional Coordinators” to help ensure a “smooth and efficient post-auction transition.” These coordinators will each have a geographic region to which they are assigned
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The exact minute that I learned what I wanted to do for the rest of my life came as I took a summer job assisting Cliff
Like any technology, the world of radio broadcasting is in a constant evolution, and when you are a legacy radio station, you’ve seen a world of change
The spring NAB Show in Las Vegas provides the best opportunity to get an up close look at all the high-dollar capital items you may need in the upcoming year.
NAB concerned about effects on FM broadcast
The commission finalized rules for spectrum sharing in the Citizens Broadband Radio Service band in April 2016
New Congressional Attempts to Impose a Performance Royalty for Sound Recordings on Broadcast Radio, Including the PROMOTE Act – What Do They…
In the last month, there have been two bills introduced in the US House of Representatives seeking to impose a performance royalty for sound recordings on broadcast radio stations in the US. The bill introduced yesterday, The PROMOTE Act (standing for the Performance Royalty Owners of Music Opportunity to Earn Act – whatever that may mean, can be found here ), seems to have garnered more attention, perhaps as it was promoted by its principal sponsor, California Congressman Darrell Issa, as giving performing artists the right to decide whether or not their music is played by radio stations. In fact, it does not do that, instead merely setting up a royalty system similar to that in place for Internet radio operators, allowing broadcasters to play music only if they pay royalties on “identical” rates and terms as do webcasters. The PROMOTE Act proposes to add to the Copyright Act’s Section 106 enumeration of the “exclusive rights” given to copyright holders a provision stating that sound recording copyright holders (for most popular releases, that is usually the record company) have the exclusive right to authorize the performance of recorded songs by broadcast radio stations. That is in addition to the existing right to authorize the playing of these songs by digital audio transmissions (e.g.
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